Music

A Night In Old Mexico

Forced to leave his ranch and land, Red Bovie (Robert Duvall, The Godfather) decides to take the car and travel to Mexico in search of adventure and fun with his grandson Gally (Jeremy Irvine, War Horse), whom he has just met. Gally is a twenty-year-old guy, lost and beaten by the present, who has run away from New York seeking out his origins.
A grandfather and grandson – two perfect strangers – begin a journey through their respective dreams (those fulfilled, those forgotten, those still yearned for) with a feverish stop in the Mexican night where they meet Patty (Angie Cepeda, El Amor en los Tiempos de Cólera), a stripper who finds in them the hope for a better life. On their journey, a dark character (Luis Tosar, Cell 211) will draw them paths that will take their lives in a new direction.
With Robert Duvall on a road-shock adventure and tequila. A story about the virtue of survival and each person’s right to choose their own ending.

Paper Birds

SYNOPSIS

Paper Birds tells the story of a group of vaudeville artists after war has taken away all but their hunger: musician Jorge del Pino, ventriloquist Enrique Corgo, cupletist Rocío Moliner, and Miguel, the orphan.

REFLECTIONS OF THE DIRECTOR

“I don’t know exactly when the idea of Paper Birds as a film was born. However, I can find moments of the story that is told within it, in many of the anecdotes and adventures that, throughout my life, I have heard at home, during the after-dinner moments, in celebrations, and also in everyday life.
Once again, I feel that the project chooses me and not the other way around. The atmosphere, the aroma, the backstage adventures of a varieté company are part of my personal imagination, and perhaps bringing them out and sharing them answer a vital need. Telling this story has allowed me to travel through places and emotions where I thought I had been before, this time with the imagination of a child, and the heart of a man.
Paper Birds aspires to be a journey towards the best of ourselves, a courageous bet on the love of life, looking at our own pain face on.”

Longum Vitae Suspirium

From the original idea argued by José Saramago and Emilio Aragón, the antithesis between good and evil in the personification of Cain and Abel, both authors derived towards a recreation of the cosmogonies of different cultures, during the process prior to creation. The character of Cain would be at the writer’s mercy, who would make him the protagonist of his last book, while Pilar del Río, now Saramago’s widow, led the dialogue towards a collection of poems from 1975: The Year 1993. Fernando Gómez Aguilera made from it a selection in agreement with the writer. Aragón, always tending to extract musical figures from the ones that his texts provide, has found a great profusion of enormously suggestive images here that emerge from the musical fabric along the nine frag-ments that make up the piece.

José Ramón Encinar.

Bebo San Juan – If You Were Here (Official Video)

Perhaps we were forgetting the essential, perhaps we had thought ourselves invincible.

These days we have remembered who we are, how many people we need and love, how fragile we are and that if we are together, we will not be

invincible, but we can fight with hope! Bebo San Juan

Tangos, Habaneras y otras Milongas

“Acullá (for string quintet with piano)” in Tangos, Habaneras y Otras Milongas by Rosa Torres-Pardo/Cuarteto Assai

Carlitos y el campo de los sueños

SYNOPSIS

At 12 years old, Carlitos wants two things above all else: a family, and to play football. But he is an orphan, and don Hipólito, the director of the orphanage where he lives, hates sports. His luck will turn when the National Football Federation organizes a competition to create the team that will play in the European Junior Championship. Carlitos, with the help of his friends, will manage to go to the trials and, thanks to his talent, he will be called to play for the national team! At first, what seems like a joy will become an obstacle race: sneaking out of the orphanage without being seen, training secretly, passing exams, etc. But Carlitos has Diego on his side, his coach and friend, who will guide him to make his dreams come true.

DIRECTOR’S REFLECTIONS

Carlitos intends to be a gentle film, an opportunity to go to the cinema with the little ones and enjoy sharing their dreams and understanding their fears. It is a commitment to prove to ourselves that family cinema is necessary, and from there, it will always have a place. It is probably that kind of risk that is worth taking, because no matter when, no matter where, at some point in our lives we all feel the need to become children again. In this gratifying project, it is fair to highlight the professional and human profile of the entire team. The actors, both those who are consecrated and those who make their debut in this profession, as well as those who do it almost in life, have turned the set into a place where they can recover innocence and childish excitement. The director, in his first film, the scriptwriters, the producer, the photography director and every one of the professionals who have worked on Carlitos have left a little piece of their soul as a child in it, and we hope it will be the one that also captures the public.

Pasión Española

Emilio Aragón backs the mix of the whole album of coplas, Pasión Española, interpreted by Plácido Domingo, and he is in charge of the orchestration of the songs: Falsa Moneda, Ojos Verdes and ¡No Me Quieras Tanto!

“The copla tells a three or four-minute story, I call it a mini-opera, which tries to reach people deeply through text and music. That story must be felt with passion and must be sung with temperament, with warmth, with sense. In Mexico, I was able to listen to the best performers, and in this recording, I remember with admiration those great art-ists who inspire passion in people.”
Plácido Domingo

Hace tiempo pasó un forastero OST

A man travels back in time thirty years to the small Castilian village where he was born, to avenge his father. The events are recalled and analyzed by a local and a police sergeant trying to find the answer to something incredible.

El rompecabezotas Main Theme

A contest in which after each correct question, a piece of the puzzle is revealed until the participants guess its content.

Bach to Cuba

SyNOPSIS

Emilio Aragón conducts the Tenerife Symphony Orchestra (performing the classical part) together with three Cuban percussionists and Alain Pérez on the double bass. The challenge is to integrate Afro-Cuban rhythms into a classical context such as the Brandenburg concerts, for which Alain Pérez replaces the Bach basso continuo, typical of the Baroque, with the Cuban tumbao bassoon, giving adequate space for percussion, such as the guaguancó, conga, danzón, contradanza, son, bolero… and which could feel comfortable around violins.

DIRECTOR’S REFLECTIONS

“Musical projects that fuse different styles often respond to different concerns and needs. For me, Bach to Cuba has meant the opportunity to bring my own ambition into play, nourished throughout all these years by the contrast of a classical musical formation of an academic and disciplinary nature, and by my roots of deep Caribbean origins.”